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羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

建筑師:Re-Act Now

地點:羅馬尼亞康斯坦薩

設(shè)計組:Mario Kuibus, Adela Toma, Cristina Chivu, Tudor Vasiliu, Raluca Genoiu, Claudiu Bica, Alexandru Axinte, Andreea Ionescu

面積:26000 sqm

年份:2009

攝影:Andrei Margulescu

工程:IPC Structures

電氣:Ink Building

客戶:Five Holding

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

該項目所處地理位置絕對令人驚嘆:在羅馬尼亞康斯坦薩的最北端,面對著羅馬尼亞最受歡迎的海濱勝地馬馬亞,在大海與Ghiol湖之間有一片極為狹窄的陸地,陸地附近有一個被稱為“漁場”的海灣,我們設(shè)計的光譜住宅群就位于其岸邊的山坡上。

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

在這個狹窄地塊的山坡上,“海岸警衛(wèi)隊”一般的建筑無疑成了一個非同尋常的主題。我認識到,從大海與從陸地上觀察這片地塊,肯定會有所不同。假如我們從陸地看去,大海寬廣雄厚,氣勢磅礴,這時候再看海邊項目附近的建筑,就肯定無法與之相提并論了。各種建造于不同時期的住宅與公寓樓高低錯落,建筑品質(zhì)一個低過一個,毫無個性,傳達出一種貧困、悲傷、缺乏樂觀態(tài)度、缺乏勇氣的信息。這樣的例子不勝枚舉。

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

特色鮮明的建筑可能會讓這些地方重新煥發(fā)生機,從初步的現(xiàn)場調(diào)研中就能顯而易見地看出這一點。“警衛(wèi)隊”大樓的外觀應(yīng)該與那些低劣的建筑形成鮮明對照:若從海邊走過來,你幾乎會忽略那些破落的房屋,海邊的新建筑應(yīng)該成為該地區(qū)的主要標(biāo)志,以令人無法抗拒、有趣而又迷人的姿態(tài)出現(xiàn),一方面擾亂了這個缺乏重要歷史與統(tǒng)一形象的地區(qū)的歷史,而另一方面也為其打造嶄新的歷史。

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

每當(dāng)漫步于海邊,總能感受到建筑的透明度與隱形特質(zhì)之間的有趣關(guān)系,而在海上和岸邊時,又能領(lǐng)略到建筑的實體存在感與物質(zhì)化之間的演繹,這兩種情形都會讓我聯(lián)想到水晶。水晶的物質(zhì)性讓我們或者將它們當(dāng)成了玻璃,或者作為這種物化建筑外觀的色彩與光譜幻象之間令人贊嘆不已的變幻。

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

在這種情況下,我們設(shè)計的13層高的“警衛(wèi)隊”大樓就應(yīng)該成為水晶的化身,永遠負責(zé)保衛(wèi)海濱漁場,這一點再清楚沒有了。為了從各個側(cè)面都感受到光學(xué)幻覺效應(yīng),我們按要求為新表面增添了切面。如鏡面一般的銀色立面很好地表達出了隱形與變化無窮的特點。正如云彩與藍天反射在了飛機的銀色腹部,我們從陸地上感受到的建筑立面的銀色表面也是如此,仿佛消失于碧海藍天的幕布之中,將它們的存在轉(zhuǎn)變成了延伸的自然景觀。立面的“光譜晶體”面朝大海,為前面的描述畫上了句號,讓一切都顯得那么不真實,讓人產(chǎn)生幻覺與迷惑……這是一種很受歡迎的在視覺上心生恍惚的狀態(tài),而且它會停留在你的內(nèi)心、感知以及各種清醒狀態(tài)和潛意識之中。

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

如果我們同樣想知道這些“特色”表象之下的內(nèi)在,不妨說一下這里的公寓,在光譜立面一側(cè)的公寓起居室及其陽臺通常都面朝著大海,而在兩側(cè)面對著陸地的銀色立面,這里的房間用作臥室。在我們的設(shè)計下,遵照其他國家已經(jīng)確立的模式,在兩個地下樓層(以及停車場)創(chuàng)造了一個功能強大的社區(qū)空間。在這些社區(qū)空間內(nèi),也設(shè)置了游泳池、健身區(qū)、若干私人事務(wù)大廳、洗衣房、附設(shè)小型餐廳的酒吧,及其他附屬設(shè)施。

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

這個住宅群的設(shè)計概念不僅經(jīng)過深思熟慮,還在很大程度上依賴于項目的受益方,即設(shè)計的委托方,他們希望在所有開發(fā)階段都能竭盡全力保留屬于該項目的傳說。所以,建筑師們,這個世界還有希望!還會出現(xiàn)無數(shù)善良的委托方的!……

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計

羅馬尼亞康斯坦薩光譜住宅群設(shè)計


Architects: Re-Act Now

Location: Constanta, Romania

Design Team: Mario Kuibus, Adela Toma, Cristina Chivu, Tudor Vasiliu, Raluca Genoiu, Claudiu Bica, Alexandru Axinte, Andreea Ionescu

Area: 26000 sqm

Year: 2009

Photographs: Andrei Margulescu

 

Engineering: IPC Structures

Electrical: Ink Building

Client: Five Holding

 

 

 

In an absolutely amazing geographical setting, in a «spur» of the gulf referred to as the «Fishery», somewhere at Constanta’s northern limits towards Mamaia, where the strip of land between the sea and Ghiol lake is minimal, is  located the «Spectrum» Residential Complex, proposed by us.

 

In this land «spur», the placement of «sea guards» appeared as an absolutely extraordinary theme.Observing the place from the land and from the sea, I realized that the situations are somehow different. If, when looked on from the land, the sea was overwhelming in intensity and greatness, not the same thing could be said about the vicinity with the buildings on the waterfront. A mix of houses and apartment blocks built during various periods of time, one looking poorer than the other and without personality, conveying a sensation of poverty, sadness, lack of optimism, lack of courage. The list could go on…

 

The fact that an open «manifesto» could mean a rebirth of these places became obvious from these initial observations.The appearance of the «guards» should have been set against these aspects: coming from the waterfront, you almost failed to notice them and coming from the water, they should have become that presence of major impact, overwhelming, intriguing and fascinating, which on the one hand disturbs, but on the other creates history in a place devoid of history and identity.

 

This play between transparence and invisibility on the one hand, when you are walking on the waterfront, and between presence and materialization, when at sea and on the shore, made me think of crystals. Crystals are of that materiality which makes us either regard them as pieces of glass in a context, or as a sublime play of colors and spectral illusions of that materialized «something»…

 

What could be clearer, in this case, than the fact that our «guards» on 13 levels should have become crystal «incarnations», forever in charge of guarding the Fishery Gulf? In order for the optical illusion effect to be perceptible from all sides, additional chamfering of the newly created surfaces was required. The invisibility, the chameleonic are best conveyed by mirror-like, silvery surfaces. Just like the clouds and the sky reflect on the silvery belly of a plane, the same way the silvery surfaces of the facades that we perceive from the land, which disappear in the background with the sea and sky, turn their presence into a prolongation of the natural landscape. The «spectral crystallization» of the facades looking onto the sea ends the story about the things above, make everything appear unreal, hallucinating, filtered, illusive… It is a mental-visual trance that you welcome and which remains in your mind, in your senses, in the conscious and subconscious.

 

If we also want to know what these «characters» shelter, we might as well mention here the apartments the living rooms of which are provided with balconies that generally face the  sea, on the spectral facades, while on the side with silvery facades, towards the land, there are the bedrooms. A strong community space was created upon our suggestion, following models already established in other countries, on two underground levels (along with the parking lots). In the community spaces we also find a swimming pool, a fitness area, halls of private events, a laundry, a bar with a mini restaurant, appurtenances.

 

The concept of this complex, as a complex developed not only speculatively, is largely due tothe beneficiary, who did his best not to «ruin» the story of the project in all its development stages. Architects, the world is not lost! There still are kind-hearted beneficiaries!...


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